Tuesday, March 02, 2010

Origin & History of the Maltese Falcon Prop

The "Maltese Falcon," itself is reportedly based on the "Kniphausen Hawk," a ceremonial pouring vessel made in 1697 for George William von Kniphausen, Count of the Holy Roman Empire. It is modeled after a hawk perched on a rock and is encrusted with red garnets, amethysts, emeralds and blue sapphires. The vessel is currently owned by the Duke of Devonshire and is an integral piece of the Chatsworth House collection.
There were several 11-1/2 inch tall falcon props made for use in the film due to the fact that Humphrey Bogart dropped the original during shooting. The original is on display to this day in Warner Brothers' movie museum, its tail feathers visibly dented from Bogart's accident. Some of the copies of the falcon were cast of plastic resin, and some of lead. Only two 45 lb. lead falcons and two 5 lb., 5.4 oz resin falcons are verified to exist today. One lead falcon has been displayed for years at various venues. The second, which was marred at the end of the movie by Sydney Greenstreet, was given to William Conrad by studio chief Jack L. Warner. It was auctioned off in December 1994, nine months after Conrad's death, for $398,500 to Ronald Winston of Harry Winston, Inc. At that time, it was the highest price paid for a movie prop. It was used to model a 10 lb. gold replica displayed at the 69th Academy Awards. The replica has Burmese ruby eyes, interchangeable claws (one set of gold, one set of coral) and has a platinum chain in its beak with a 42.98 flawless diamond at the end. Its value is estimated at well over $8 million. The lead and resin falcons are valued in excess of $2 million. Adam Savage, co-host of Mythbusters, has gone to great lengths to create an accurate replica.

Friday, February 12, 2010

The Graduate | Mrs. Robinson's Animal Skin

The Graduate uses an animal motif symbolic of the sexually predatory middle aged woman. Mrs. Robinson played by Anne Bancroft is shown wearing leopard coat for their first rendezvous and again at wedding as she looks up ready to attack Ben for interrupting the ceremony from the balcony. Haven't found photos for other scenes: A second rendezvous at the hotel Mrs. Robinson wears a short brown and white giraffe print skirt; Another at her home having cocktails in a metallic snakeskin textured dress; Ben's mom joins the herd with a black and white zebra dress in the kitchen scene with Ben announcing his intentions to marry Elaine.

Monday, February 01, 2010

2010 TCM 31 Days of Oscar | See My 10 Best and Pick Your Own

This year for 31 Days of Oscar I will be tweeting my Best Oscar Pick from each days schedule and sharing a blogpost for my Pick. You can pick your own 10 Best and share them on top social networking venues, such as Facebook and My Space. As usual the TCM web designers have created a slick interface to choose from a list of Oscar movies and then drag and drop them in the order you wish. You just have to check it out for yourself. Although the visuals are awesome, it doesn't beat the TCM University theme from last year. I just don't think they can come up with much to compete with 2009.

Wednesday, January 20, 2010

Nostalgic Ad | More Doctors Smoke Camels Than Any Other Cigarette!


Advertisement using the status of doctors to glamorize image of cigarettes. Things have really changed!

Sunday, January 17, 2010

God's Little Acre | Watch Online Free


God's Little Acre is a 1958 American film of the novel of the same name by Erskine Caldwell. It was made for the screen by director Anthony Mann and lensed in black and white by master cameraman Ernie Haller.
The film was as controversial as the novel, though this time there was no prosecution for obscenity. Though both book and film were laced throughout with racy innuendo calling into question the issue of marital fidelity, it was the film adaptation that may have been the more alarming, inasmuch as it portrayed a popular uprising, or Marxist insurrection, in the southern United States by millworkers laid off from work and trying to gain control of the factory equipment which their jobs depend on. Philip Yordan was officially given credit for the screenplay, but it was actually by Ben Maddow. Since Maddow was blacklisted for suspected Communist activities during the 1950s Red Scare, working without credit was the only way he could successfully submit screenplays.
When first released, audiences under eighteen years of age were prohibited from viewing what were perceived to be numerous sexy scenes throughout, though in recent decades the film's scandalous reputation has diminished. Though ultimately a box office failure upon first release, the film has frequently been aired on television. Due to a lapse in copyright registration after the bankruptcy of United Artists in the mid-1980s, the film is now in the public domain in the United States

Cast



Friday, January 01, 2010

Bringing in 2010 with 2010! Future is Now!

2001: A Space Odyssey (occasionally referred to as simply 2001) is a 1968 science fiction film directed by Stanley Kubrick and written by Kubrick and Arthur C. Clarke. The film deals with thematic elements of human evolution, technology, artificial intelligence, and extraterrestrial life, and is notable for its scientific realism, pioneering special effects, ambiguous and often surreal imagery, sound in place of traditional narrative techniques, and minimal use of dialogue.

The film has a memorable soundtrack — the result of the association which Kubrick made between the rotary motion of the satellites and the dancers of waltzes, which led him to use the Blue Danube waltz by Johann Strauss II, and the famous symphonic poem Also sprach Zarathustra, by Richard Strauss.

Despite receiving mixed reviews upon release, 2001: A Space Odyssey is today recognized by many critics and audiences as one of the greatest films ever made; the 2002 Sight & Sound poll of critics ranked it among the top ten films of all time. It was nominated for four Academy Awards, and received one for visual effects. In 1991, it was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in The National Film Registry.

Clarke went on to write three sequel novels. The only filmed sequel, 2010, was based on Clarke's 1982 novel and was released in 1984. Kubrick was not involved in the production of this film, which was directed by Peter Hyams in a straightforward style with more dialogue. The film was only a moderate success, disappointing many critics as well as viewers.

On New Yew Day 2010, let's analyze accuracy of predictions

The primary predictions that are central to the plot of 2001: A Space Odyssey, made in 1968, those about space travel and artificial intelligence, did not materialize by that date (and still have not). However, many secondary futuristic elements of the story that are somewhat marginal to the plot have been accurate apprehensions of the future.

Technology

One futuristic device shown in the film already under development when the film was released in 1968 was voice-print identification, although the first prototype was not released until 1977. A credible prototype of a chess-playing computer already existed in 1968, even though it could be defeated by experts. Computers did not defeat champions until the late 1980s. While 10-digit phone numbers for long-distance national dialing originated in 1951, longer phone numbers for international dialing became a reality in 1970. Personal in-flight entertainment displays were first introduced in the 1980s strictly for the purpose of playing video games, but then broadened out for the purpose of TV broadcast and movies in a manner like that shown in the film. The film also shows flat-screen TV monitors, of which the first real-world prototype appeared in 1975. Plane cockpit integrated system displays, known as glass cockpits, were introduced in 1979. Rudimentary voice-controlled computing exists in the early 2000s, although it is still not as sophisticated as depicted in the film.

Some technologies portrayed as common in the film which have not materialized in the 2000s include commonplace space travel, space stations with hotels, moon colonization, suspended animation of humans, common (non-mobile) videophones, and strong artificial intelligence of the kind displayed by HAL.

Corporate and political realities
In terms of corporate realities, many more BBC stations existed in 2001 than did in 1968 as shown in the film, although there is no BBC 12. The corporations IBM, Aeroflot, Howard Johnsons, and Hilton Hotels, all of which appear in the film, have survived till 2001 and beyond. On the other hand, the film depicts a still-existing Pan Am and still-autonomous Bell System telephone company. Pan Am declared bankruptcy in 1991. The Bell System logo seen in the film was modified in 1969 and dropped entirely in 1983. Political realities are also quite different. The Union of Soviet Socialist Republics is alive and well in the film, but was dissolved in 1991.

Several elements have also become anachronistic in the years following the release of sequel 2010, the most obvious being the end of the Cold War and the fact that the Soviet Union ceased to exist in 1991. Pan American World Airways went out of business in 1991. The Astrodome is mentioned in passing as if active; however, the Astrodome closed in 2004. The closing sequence of the film briefly depicts the Lincoln Memorial in Washington, D.C., as seen from a small installation of fountains that was subsequently replaced by the National World War II Memorial.

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Who is the mysterious TCManiac?

First, I'll tell you who I am not. I am not affiliated with TCM. I am not some superbot created by software developers. I am not being paid by TCM or anyone else to dedicate my time to tweeting. I am a real flesh and blood human being. I am a real maniac for TCM. I really do keep my TV tuned to TCM 24-7. I created the TCManiacs twitter as a result of my sincere passion for watching Turner Classic Movies.

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Well, I've been a fan of TCM since its inception. As I lay flat on my back recovering from a disabling health crisis unable to do little more than watch TV and surf the internet, I found refuge watching TCM round the clock. I soon developed an obsessive habit of keeping a browser tab open for the TCM schedule and beating Robert Osbourne's introductions to finding out facts for upcoming movies. My entire day and night became defined by the TCM line-up. At the beginning of 2009 I decided to check out twitter and lucked up on some fellow TCM fans to friend. During the 31 days Oscar I decided to dedicate a twitter just to share my TCM obsession by tweeting about every movie every day of February. I was totally overwhelmed by the number of fellow TCM maniacs that became my following. Its been a WIN WIN in everyway for me. I have had the opportunity to share fun stuff with some incredible fellow classic movie lovers and bloggers. With so many followers I became committed to maintaining the twitter schedule and finding fun stuff for upcoming TCM movies.
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